STUDIO N°5
  • Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s
  • Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s
  • Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s
  • Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s
  • Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s
Pair Mid-century Side Tables Brass Bamboo Design White Marble Top 70s

2.900 €


These two decorative small tables have a slightly conical base, which gives the whole thing a fine sophistication. The legs have a slight rib which corresponds to a bamboo look. The clear, almost white stone gives the whole thing a certain objectivity. 50 x 52cm
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STUDIO N°5
Address:
Hildmannplatz 1A ,
5020 Salzburg
Country: Austria
Tel.: +49 1777791184
E-mail: info@studio5-salzburg.com
Website: www.studio5-salzburg.com
Abstract Painting Beige-brown-orange By The Leipzig Painter W. Biedermann 1987

Abstract Painting Beige-brown-orange By The Leipzig Painter W. Biedermann 1987

Abstract painting on paper work by Wolfgang E. Biedermann, Leipzig Westgermany 1987 Small, repetitive motifs, characters, ciphers and writings, inspired by Asian calligraphers were generously painted over in abstract.  Technique: Mixed media on paper Signature: Lower right by hand W. E. Biedermann 87 Short Biography:  Wolfgang E. Biedermann was born in 1940 in Hannover - dece. 2008 in Leipzig  Already as a high school student Wolfgang E. Biedermann's artistic talent was recognized by Ursula Mattheuer-Neustädt.  She promoted him to evening studies at the Academy of Visual Arts (HGB) Leipzig.  From 1961 Biedermann studied at the HGB in the specialist class for free graphics and painting with Gerhard Kurt Müller, completing his studies in 1967.  Since 1968 Biedermann was active as a freelance artist in Leipzig.  He undertook study trips to Poland, France and Indonesia, as well as to the USSR and the USA.  From 1968 to 1991 he was a member of the Association of Visual Artists of the GDR and since 1996 a member of the Free Academy of Arts in Leipzig.  The unique encounter with the German action artist Joseph Beuys had a great impact on Biedermann.  The artistic work of Wolfgang E. Biedermann spanned from 1960 to 2008.  His œuvre is characterized by the development of his own technique.  In addition to drawings and sketches of the early work for study purposes he dealt over the years primarily with printing practices.  He produced numerous abstract paintings and works on paper using color etching and silkscreen processes as well as multi-plate overprinting.  Biedermann relied on different layering by means of various techniques of graphics and painting.  He dealt extensively with overdrawing and overpainting his works. Repeating motifs are symbols, signs, ciphers and writings, which are based on Asian calligraphy.  Biedermann dealt just as intensively with the content of philosophical writings by Peter Sloterdijk and with letters from the estate of Friedrich Schiller,  which he transposed into the paintings. His color-intensive paintings reflect "inner landscapes". Klaus Werner coined this term as early as 1980 for the complete works of Wolfgang E. Biedermann.  Since 1977 Wolfgang E. Biedermann presented his artworks at various exhibitions.  On the occasion of his 50th birthday, the Lindenau Museum in Altenburg exhibited a comprehensive selection of 130 works in 1990.  NordLB - Art, Hannover accompanied his further creative process for almost ten years with work locations in Berlin (Sony Center), Singapore, Zurich and Hamburg.  At the EXPO 2000 in Hanover, twelve of his large-scale works were on display in the German pavilion.  Parts of his œuvre have also been exhibited outside Germany in Tokyo, Paris, Damascus, Bilbao, Listovel, Mulhouse, Grenchen, Basel and Fredrikstad, among other places. Literature:  -Lang, Lothar: Malerei und Grafik in der DDR. Leipzig 1978  -Hütt, Wolfgang: Graphic Art in the GDR. Dresden 1979  -Thomas, Karin: Painting in the GDR 1949-1988. Cologne 1980  -Dictionary of Contemporary Artists. Oxford 1981  -Hollmann, Eckhard: Von der Kunst Bilder zu drucken. Berlin 1986  -Feist, Günther: Stations of a Path, Documentation on Art and Art Politics 1945-1988, Berlin 1988  Solo exhibitions: 1977: Gallery in the club "Pablo Neruda", Gallery Barthel + Tetzner GmbH, Karl-Marx-Stadt/ Chemnitz 1979: Gallery at Sachsenplatz (with Agathe Böttcher and Dagmar Ranft-Schinke), Leipzig 1979: Gallery at the Steinweg, Suhl 1980: Gallery Arkade, Berlin (exhibition catalog by Dr. Klaus Werner) 1980; 1986; 1987: Gallery erph, Erfurt 1980: Gallery at the Boulevard, Rostock 1981: Greifengalerie, Greifswald 1984: Galerie unter den Linden, Berlin (exhibition catalog) 1987: Gallery Linneborn, Bonn 1988: Kubetz-Zenker, Frankfurt/Main 1988: Schiller Museum, Weimar 1988: Galerie am Thomaskirchhof, Leipzig (exhibition catalog with text by Dr. Klaus Werner) 1990: Lindenau Museum, Altenburg (exhibition catalog) 1992: Bayerische Vereinsbank, Leipzig 1992/93: Gallery at the market, Cottbus 1994/95: ALAPE, exhibition center Goslar-Hanhdorf 1994/95: Gallery at the Sachsenplatz, Leipzig 2000: Gallery Nord/LB Art, Hanover (exhibition catalog) 2005: Art Gallery in the District Court, Hanover 2007: Saxonian art work GmbH Leipzig Group exhibitions: 1969: Kupferstichkabinett of the State Museums, Berlin 1974: "25 years of graphic art in the GDR", Altes Museum/Berlin 1975: "Color Graphics in the GDR", State Museums Schwerin 1975: „DDR-Grafik“, Tokio, Japan 1975: „DDR-Grafik“, Berlin/West 1976: „Junge Künstler der DDR“, Altes Museum, Berlin 1976: 7. Internationale Triennale der Druckgrafik, Grenchen, Schweiz 1978/80/82: 4./ 5./ 6. Biennale der Druckgrafik, Fredrikstad, Norwegen 1978: „Naturgestalt und Verwandlung“, Nationalgalerie, Berlin 1978: Farbradierungen, Galerie Berlin/ Berlin 1978: Grafik-Biennale, Krakau, Polen 1980: 4. Europäische Grafikbiennale, Mulhouse, Frankreich 1981: Gruppenausstellung (mit Joachim Jansong), Galerie Nord, Leipzig Hand-Zeichnung-Triennale, Wroclaw, Polen, 1981 1981: Musée d’Art Moderne de la Ville de Paris, Paris; Le Havre, Frankreich 1982: Internationale Grafikbiennale, Bilbao, Spanien; Listowel, Irland 1982: Kunstmesse, Basel, Österreich 1983: Internationale Grafikbiennale Stockholm, Schweden 1983: „Zeichnungen von 50 Künstlern aus der DDR“, Galerie am Sachsenplatz, Leipzig 1984: Estampe du Rhin, Strasbourg, Frankreich 1991: Dresdner Bank AG, Leipzig 1990er Jahre: „Leipziger Künstler“, Kunsthalle der Sparkasse Leipzig, Leipzig 1992/93: „Kunst aus Sachsen“, Wirtschaftsministerium, Berlin 1992/93: Kunsthaus Tumulka, München 1993: „Entgrenzung“, Ausstellung der Nord/ LB Hannover, München; Berlin; Bonn; Magdeburg; Schwerin; Hannover 1997: „Lust und Last“, Leipziger Kunst seit 1945, Museum der bildenden Künste, Leipzig; Germanisches Nationalmuseum, Nürnberg 1998: „Visuelle Poesie“, Deutsche Bibliothek, Frankfurt am Main; Berlin; Leipzig 1999/2000: „Zeit – Bilder – Kunstobjekte, Sachsen – heute“, Ausstellung der Nord/LB zum 60. Geburtstag in Hannover „Nord/LB-Art“, Wanderausstellung NRW und Brüssel, Belgien. 2000: Deutscher Pavillon, EXPO 2000, Hannover 75 x 3.5 x 98cm
Italian Mid-century Linear Shaped Armchair Off-white Bouclé Fabric, 1950s

Italian Mid-century Linear Shaped Armchair Off-white Bouclé Fabric, 1950s

Straightforward design armchair from the 1950-ies Italy. The lines are striking, the object tapers down the sides, the armrests also taper, the backrest tilts back for seating comfort and then straightens again. Tapered brass legs with adjustable height at the bottom of the slightly wider end piece. The linear look of the armchair is emphasized by the high-quality graphic bouclé in offwhite-taupe-black from Larsen. The feel of the fabric is pleasantly natural and the touch is dry. The seating comfort is particularly good, the head can be leaned. The object looks light-footed and cozy due to the structured fabric. The object is not only newly covered - completely reupholstered and re-covered. The armrests have a height of 50 cm. 80x90x93cm
Italian Midcentury Daybed / Sofa With Brass Legs / Chocolate Brown Velvet 1970s

Italian Midcentury Daybed / Sofa With Brass Legs / Chocolate Brown Velvet 1970s

Wonderful Italian midcentury daybed in a clear design of the seventies. Heavy, solid, geometric brass legs combined with chocolate brown velvet from Pierre Frey. (Completely reupholstered). 160 x 55 x 45cm
Gracile Italian Mid-century Clear Murano Glass Floor Lamp, 1960s

Gracile Italian Mid-century Clear Murano Glass Floor Lamp, 1960s

Transparent Muranoglass Floor Lamp in perfect Condition Diameter shade 38cm - Diameter bottom 36cm Wonderful gracile clear Murano glass floor lamp. The glass shade and the distance bowls has a ribbed construction. The base part is plain. 36-38 x 188cm
Poster With Subject From The Art Deco Era

Poster With Subject From The Art Deco Era

Poster with subject from the Art Deco era High quality frame, handmade, with white gold decor 50x2.5x85cm
Mid-century Italian Cactus Shaped Dining Table Stainless Steel Veneer 1970s

Mid-century Italian Cactus Shaped Dining Table Stainless Steel Veneer 1970s

Exceptional round dining table with thick glass top and base made of solid wood veneered with stainless steel.  The processing of the veneer of thin stainless steel pallets consists of alternating matte and shiny parts, that's why the table is particularly effective. The veneer is designed from matt brushed and shiny polished stainless steel. The large-scale cactus shape of the underframe is  artistically and clearly designed - a real eye-catcher. Of course, the base of the table can be covered with a larger glass plate. The base measures: 73 x 74.5 cm / table 140 x 74cm
Art Deco Chandelier by Pierre Gilles

Art Deco Chandelier by Pierre Gilles

Art Deco chandelier from Pierre Gilles All glass elements are signed. Strict iron frame with graphic motifs decorated with pressed glass and 4 bowls. The pressed glass has elaborate graphic and floral motifs. 72 x 91cm
Amber Colored Mid-century Suspension Lamp From The 70s

Amber Colored Mid-century Suspension Lamp From The 70s

Rare Mid-Century suspension lamp from the 70s "Mazzega" with 17 amber cobwebs. The electrical system consists of 5 E27 lamp holders and is functional, the glasses are in perfect condition. Dimensions: height 100 cm / diameter 40 cm
Pair Of Extravagant Formanova Armchairs Covered With Bouclé Fabric Italy 1970s

Pair Of Extravagant Formanova Armchairs Covered With Bouclé Fabric Italy 1970s

Pair of extravagant black and white Formanova armchairs covered with bouclé fabric Italy 1970s. Formally very mature pair of armchairs manufactured by the company FORMANOVA. The rounded and well upholstered backrest and the round, slightly curved seat give the armchairs an extremely pleasing shape and provide great seating comfort. The rounded iron legs have tall brass leg cuffs, adding to the character of the chairs. The connection between the backrest and the seat is made by a distinctive iron connecting element. Pierre Frey's bouclé fabric cover with its slightly coarse texture emphasizes the chair's character. The objects are completely refurbished, metal repainted, upholstery renewed, fabric renewed, foot cuffs newly polished. These chairs are not only comfortable, but also a real eye-catcher. 59 x 59 x 55cm
6 French Mid-century Dining Room Chairs Black Lacquer Hermès Colored Leather

6 French Mid-century Dining Room Chairs Black Lacquer Hermès Colored Leather

6 chairs with a fantastic, striking design and clear lines. The tapered backrest with its ergonomic shape makes the chair extremely comfortable to sit on and reaches down to the floor, replacing the rear legs. The seat cushion and the front legs, which are set slightly outwards, are very striking. But almost all the lines also make use of the curves and soften the straight lines somewhat. Solid beech wood restored with black piano lacquer. Upholstery renewed and covered with Hermès color leather. 45 x 47 x 87cm
Italian Mid-century Golden Murano Glass Chandelier With Embracing Leaves

Italian Mid-century Golden Murano Glass Chandelier With Embracing Leaves

Elegant Murano glass chandelier wit fine gold particles in the glass batch. Three large leaves embracing the middle shaft, a globe with 45cm diameter enlcoses the three-lit electrification and completing the shape of the chandelier. The leaves ends' represent a visible brass mounting. 45 x 98cm
Mid-century Italian Chromed And Bronzed Console Table By Romeo Rega

Mid-century Italian Chromed And Bronzed Console Table By Romeo Rega

Mid-Century Italian chromed and bronzed console table by Romeo Rega. Straight design of a modern console table with chromed brass and bronzed brass frame - Fuchsia colored bakelite parts of 2.0cm in between on the top. The ends of the legs are also decorated by bakelite. Smoked glass top makes the design perfect. Romeo Rega was part of a pack of Italian designers combining inventiveness and elegance with strong modernist influence in the 1970s. Working with Willy Rizzo, Gabriella Crespi they championed - Modernist Glam- which is very much in vogue today. Rega's pieces fit well either with an antique decor or contemporary surroundings. 160x50x72cm